Natalia Carminati (Buenos Aires, 1982) has studied fine arts at The Art Students League of New York and Escola Massana, Barcelona.
Natalia's work focuses on the development of multimedia projects that explore the nature of perception and the way we decode our environment. Therefore, she’s interested in investigating how the mechanisms of invisibility, privatization and deterritorialization operate and configure reality, generating notions of "the normal". Her work is concerned with identifying these physical and mental spaces of normalization that instruct and anesthetize our perception. Thus, she works with concepts as diverse and related as decolonization and sustainability, as well as the social structure of time and all forms of reality where power and social and cultural control nest.
Her projects materialize in the creation of multisensory devices that integrate video, video game, sound experimentation, painting, installation or performance. She has participated in solo and group shows at Arts Santa Mònica (Barcelona), Ostavinska Galerija (Belgrade), Kovent Zero (Berga), Fabra i Coats (Barcelona), Tangent Projects (Barcelona), La Trastera (Port Segur de Calafell), Hans & Fritz Contemporary (Barcelona), Bayer-Montsanto (Buenos Aires), Centro Cultural Las Cigarreras (Alicante), Casa de la Cultura Sant Cugat del Vallès, Young Gallery Weekend (Barcelona-Melbourne), Salmon Festival (Barcelona), Hybrid Fair (Madrid), SWAB Barcelona Art Fair, LOOP Barcelona, MACBA (Museu d'Art Contemporani Barcelona) and Kunstmuseum Stuttgart, Germany.